gumawa ng limang pangusap gamit ang mga pahayag na nagbibigay ng patunay na maaring ihambing sa napapanahong pangyayari​

Answer:

universal grammar, theory proposing that humans possess innate faculties related to the acquisition of language. The definition of universal grammar has evolved considerably since first it was postulated and, moreover, since the 1940s, when it became a specific object of modern linguistic research. It is associated with work in generative grammar, and it is based on the idea that certain aspects of syntactic structure are universal. Universal grammar consists of a set of atomic grammatical categories and relations that are the building blocks of the particular grammars of all human languages, over which syntactic structures and constraints on those structures are defined. A universal grammar would suggest that all languages possess the same set of categories and relations and that in order to communicate through language, speakers make infinite use of finite means, an idea that Wilhelm von Humboldt suggested in the 1830s. From this perspective, a grammar must contain a finite system of rules that generates infinitely many deep and surface structures, appropriately related. It must also contain rules that relate these abstract structures to certain representations of sound and meaning—representations that, presumably, are constituted of elements that belong to universal phonetics and universal semantics, respectively.

1.A

2.A

3.B

4.A

5.C

EXPLANATION:HOPE ITS HELP

Answer:

A growing body of research explores emoji, which are visual symbols in computer mediated communication. In the 20 years since the first set of emoji was released, research on it has been on the increase, albeit in a variety of directions. We reviewed the extant body of research on emoji and noted the development, usage, function, and application of emoji. In this review article, we provide a systematic review of the extant body of work on emoji, reviewing how they have developed, how they are used differently, what functions they have and what research has been conducted on them in different domains.

Answer:

These have a hollow cloth body that fits over the manipulator’s hand; his fingers fit into the head and the arms and give them motion. The figure is seen from the waist upward, and there are normally no legs. The head is usually of wood, papier-mâché, or rubber material, the hands of wood or felt. One of the most common ways to fit the puppet on the hand is for the first finger to go into the head, and the thumb and second finger to go into the arms. There are, however, many variants of this. The “two-fingers-and-thumb” method is used for Punch-type figures; it allows the puppet to pick up and grasp small props very well and is obviously useful when wielding the stick that plays a big part in the show, but it tends to produce a lopsided effect, with one arm higher than the other. The performer normally holds his hands above his head and stands in a narrow booth with an opening just above head height. Most of the traditional puppet folk heroes of Europe are hand puppets; the booth is fairly easily portable, and the entire show can be presented by one person. This is the typical kind of puppet show presented in the open air all over Europe and also found in China. But it need not be limited to one manipulator; large booths with three or four manipulators provide excellent scope for the use of these figures. The virtue of the hand puppet is its agility and quickness; the limitation is small size and ineffective arm gestures.