Selfies have been transported from social media to academic classrooms, where they are being studied as cultural artifacts in a new class. Selfies represent the beginning of the twenty-first century. The cultural moment of selfies will pass and be replaced by something iconic and phenomenal of our time, just as photographic self-portraits, painting self-portraits, and religious records were the selfies of their time. Culture of the Selfie is an in-depth art-historical outline of self-portraiture that employs theories from visual studies, narratology, and cultural studies. Popular culture is defined in a variety of ways, both implicit and explicit. The majority of concepts are contradictory and can lead to confusion. The 'Selfie' has gradually want to be an important artifact in contemporary pop culture theory. Selfie’ it could be suggested that ones’ perception of self-significance is being stated with each posting. This could take us into a deeper study of self-identity. As we an//alyse popular culture emerge in social media, it is clear that social networking affects our lives in a variety of ways, which include correspondence, self-expression, communicating with peers, and even our own sense of self-esteem. Even though social networking has improved greatly communication on a large and global scale, it does not excuse itself from being a totally positive mode of communication. From the sticks in the caves, to hieroglyphs, to books, to paintings, to analog pictures and to digital arts, it is a preservation of our historical part in humanity. Looking back at art history, Selfies are not the only self-expression but one of the know selfies are from Van-Gogh's own portrait. The self-expression of humanity is innate to our culture. It is a medium to exist, to be know to exist, and to make a mark. When we look at selfies, they are a comical part of our lives. It is the correspondence to our existence.
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