Write you own Reaction paper about The King Maker.need help:(​

Answer:

There is an island of dying animals in the Philippines named Calauit that exists in its current state because of the unchecked opulence of Imelda Marcos. She wanted animals in the Philippines who weren't native to the country, and officials were bribed to make that happen. It is a perfect symbol for her insidious, egocentric, blinding greed in that it is the kind of landscape-changing thing people with power and wealth do without considering the consequences. Director Lauren Greenfield, our best filmmaker when it comes to documenting the extremely rich in movies like “Generation Wealth” and “The Queen of Versailles,” returns to this island a few times in her excellent “The Kingmaker,” recognizing how its almost haunted nature symbolizes the ghosts of the past of her subject, Marcos herself. Intercutting interviews with Marcos and her son with archival footage and other experts on the Marcos regime, Greenfield has put together a haunting reminder that those who have extreme power rarely if ever consider the consequences of their actions—in fact, they often think the word consequences shouldn’t apply to them. Take what you will from the film in terms of timeliness for the current American political situation, but parallels to unchecked power around the world feel intentional and add depth to “The Kingmaker.” We could all be on an island of dying animals if we’re not careful.

Explanation:

pa brainliest po PLSSS

sana makatulong:):):):):):):):):):)

Answer:

There is an island of dying animals in the Philippines named Calauit that exists in its current state because of the unchecked opulence of Imelda Marcos. She wanted animals in the Philippines who weren't native to the country, and officials were bribed to make that happen. It is a perfect symbol for her insidious, egocentric, blinding greed in that it is the kind of landscape-changing thing people with power and wealth do without considering the consequences. Director Lauren Greenfield, our best filmmaker when it comes to documenting the extremely rich in movies like “Generation Wealth” and “The Queen of Versailles,” returns to this island a few times in her excellent “The Kingmaker,” recognizing how its almost haunted nature symbolizes the ghosts of the past of her subject, Marcos herself. Intercutting interviews with Marcos and her son with archival footage and other experts on the Marcos regime, Greenfield has put together a haunting reminder that those who have extreme power rarely if ever consider the consequences of their actions—in fact, they often think the word consequences shouldn’t apply to them. Take what you will from the film in terms of timeliness for the current American political situation, but parallels to unchecked power around the world feel intentional and add depth to “The Kingmaker.” We could all be on an island of dying animals if we’re not careful.