The Marcoses’ patent mediocrity and corrupted brand identity appear to have put serious political power out of reach for them, for now. But their resurgent cynicism and corruption created the conditions for Rodrigo Duterte, the quasi-fascist strongman president who is shown contemptuously tolerating the Marcoses for what they could yet do for him. It seems at first as if this is going to be simply a black-comic portrait of entitlement, comparable to Greenfield’s 2012 film The Queen of Versailles. Actually, it is more than that a larger, tragic picture of tyranny and corruption in the Philippines that might stand alongside Josh Oppenheimer’s The Act of Killing (2012) and The Look of Silence (2014) about the repression and slaughter in Indonesia. There are exquisitely horrible moments in this portrait when Marcos, taking us around her fabulous Manila home, and speaking in an absurdly queenly and soft-voiced way about her lifestyle and her plans for the future, unknowingly reveals how loathsome she is. Or perhaps she does know and doesn’t care, and has a shrewd sense of how her outrageousness plays well with a certain part of her (sizeable) fanbase. But it is truly stomach-turning as she gives banknotes to poor little children in the street and, on being taken to a children’s cancer hospital, Madame Marcos winces with disgust at their poverty and suffering and says to an aide: “Give me some money to give away.” At their height, the Marcoses took the cash intended for roads, schools, etc., and converted it into jewels, paintings, and prime Manhattan real estate, while striking brutally at civil rights, using detention and torture. Their rival, Benigno Aquino, was imprisoned, exiled, and finally murdered, and his widow, Cory, was later to take over as president herself. There are wrenchingly emotional interviews with those who were detained and tortured under the Marcos regime. A grisly symbol of corruption is the bizarre wild animal reserve that Imelda created on Calauit Island, a vanity project that involved moving hundreds of families off the land, and whose giraffes are now not properly cared for like everyone and everything else.
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stephanywaller
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